This is a 'one-man performance' combining butoh, rakugo, and yokai. It is a big hit with the kids!

Artist/Company
MEGURO Daiji [From Kyoto, Japan]
Date
Saturday, 23 September (National Holiday),13:30-
Sunday, 24 September,13:30-
*There will be a talkback after the performance on Saturday, 23 September (National Holiday).
Running Time
60 minutes
Venue
The Katsutani Gymnasium
Price
Adults: 2,800yen*
Students: 1,000 yen
under 18: 500yen
Preschool-aged children: 500yen
*Including one drink voucher for use at the Café
Mobile subtitles
Mobile devices for Japanese or English subtitles available
About the programme開く

Mr Meguro is a butoh dancer, but he is also a good storyteller. He has been cast in BIRD Theatre Company's productions. In this show, yokai are introduced through an entertaining rakugo-like narrative and then appear unexpectedly. The power of butoh dancer Daiji Meguro is demonstrated in the yokai's appearance. Butoh is originally an externalisation of the state of spirit, and yokai are not actually visible but spiritual. Hence, it makes sense for them to be a good match. Please come to see it, and it will make you laugh.

Cast/Staff開く

Written, Directed, Arranged, Choreographed and performed by MEGURO Daiji

Message from the director開く

I feel that we are losing our imagination about the afterlife. When we die, that's it. There exists only nothingness. It's a clear and clean way of thinking, but it feels dreary. It can be scary to imagine the afterlife, but it can also be fun. Where will our souls go when we die? Becoming no longer subject to time and space, will they go to the past, the future, or out into outer space? Our bodies will be burnt, discomposed to the molecular level and scattered into the air. Will they fly to the other side of the Earth or become a completely different object, a piece of a micro-organism or something, and float on the Amazon River? There is no end to the imagination like these. One of the imaginations of the afterlife is Jigoku Gokuraku (Hell Paradise). Even today, in a world where a scientific view of things is predominant, its existence has never been lost or forgotten. I think this is because, along with a rich imagination, it depicts something that we can relate to regardless of time and place, the ridiculousness and essence of human nature. It displays many things that make us laugh at how cleverly they are said and startle us with their plausibility. I believe that instead of looking at Jigoku Gokuraku as an imaginary world, we can reflect through it on our view of life and death today and on the human beings who have remained unchanged over the ages. I hope this piece brings such an opportunity to the audience as well.

Artist's profile開く
©Matt Leaf

MEGURO Daiji

MEGURO Daiji studied Butoh under MOTOFUJI Akiko, and was a member of Asbestos Studio from 2001 to 2003. He was a member of Ko&Edge Co., established by MUROBUSHI Ko, from 2003 to 2010. In 2016, He established the touring company Yebisu Daikokuza and toured in various areas. Since 2018, he has been creating "Butoh Musical" with students and residents of various regions, focusing on the problems faced by the students and the local community. He received support for “Overseas Study for Upcoming Artists” from the Japanese Agency for Cultural Affairs in 2010.