The project is part of the 'Japan Cultural Expo 2.0'. Following on from last year, Masanori Ito will explore the 'beauty of Japan' through an outstanding Japanese play.

Artist/Company
Produced by BIRD Theatre Company
Date
Saturday, 23 September (National Holiday),15:30-
Sunday, 24 September,15:30-
Saturday, 30 September ,13:30-
Sunday, 1 October, 13:30-
*There will be a talkback after the performance on Saturday 30 September, Sunday, 1 October.
Running Time
75 minutes (estimated)
Venue
The Assembly Hall Theatre
Price
Adults: 2,800yen*
Students: 1,000 yen
under 18: 500yen
Preschool-aged children: Free
*Including one drink voucher for use at the Café
Mobile subtitles
Mobile devices for Japanese or English subtitles available

© Shunya Mizumoto

© Shunya Mizumoto

About the programme開く

A gatekeeper polishing shoes, a civil servant absent from work, and a woman on crutches who loves freedom. The three interweave in the humorous and puzzling world of Minoru Betsuyaku. The author who established the Theatre of the Absurd in Japan wrote this play in his early days, inspired by Kafka's short story Before the Law. What kind of ensemble will be presented by Mayu Yamaguchi and the BIRD Theatre's two actors, Rena Nakagawa and Shiori Goto, led by the young director Masanori Ito?

Synopsis開く

Behind a massive building in a city. A civil servant who is searching for some 'evidence' meets a gatekeeper who is polishing shoes. Although they have just met for the first time, they start talking to each other, trying to tell each other the 'truth'. At the end of their conversation, a trivial yet major incident occurs, which no one notices.

Cast/Staff開く

Written by BETSUYAKU Minoru

Directed by ITO Masanori

Performed by GOTO Shiori (Bird Theatre), NAKAGAWA Rena (Bird Theatre), YAMAGUCHI Mayu (nanado)

Sound Design: KANEKO Shoichi (DISCOLOR Company)

Lighting Design: ADACHI Naomi

Costume Design: MINAMINO Shie (OSUSHI)

Message from the director開く

The Gate was written in 1966, during Japan's rapid economic growth.

Twenty years after the war's end, as urbanisation progressed and people's lives changed dramatically, the piece portrays the anxiety and loneliness that seemed to diminish our bodies and the actual feeling of 'living'. The author, Minoru Betsuyaku, devoted himself not only to plays but also to children's stories, leaving many stories with a vague sense of loneliness. More than half a century has passed since The Gate, Japan has moved on to become an advanced information society, and society is undergoing significant changes again. What are we losing in this transition? And can we ever get it back?

Director's Profile開く

ITO Masanori

Graduated from Seijo University, Faculty of Literature and Arts, Department of Fine Arts, Ito formed a theatre company, nanado, in 2014 and started working as a director. The company performs in various spaces, such as pear orchards and shrine precincts, as well as in theatres, mainly in Tokyo and Chiba. In recent years, he has created a series on the theme of "dim voices"; in 2021, he performed his one-person play In the Womb at the Toyooka Theatre Competition, for which he received the Outstanding Director Award. In 2022, the BIRD Theatre's production, the recreation version of In the Womb, was performed in Toga Village, Toyama Prefecture, and at the BIRD Theatre Festival 15.

Host/Grant開く

【Host】Toga Cultural Foundation/ Japan Arts Council/ Agency for Cultural Affairs, Government of Japan

【Co-Host】BIRD Theatre Company TOTTORI