First premiered in 2006, BIRD Theatre’s production of The Lady Aoi has continued to captivate audiences. A famous episode from The Tale of Genji was transformed into a Noh play by Zeami, and later adapted by MISHIMA Yukio into a modern drama incorporating Freud’s exploration of the human psyche. The Heian-period belief in the ikiryō, a spirit believed to leave the body while alive, and the scientific exploration of the unconscious through sex drives in the 19th century may seem worlds apart, yet both offer vivid and compelling insights into human nature. Enka and kayōkyoku music heighten the emotions of the man and the woman who are helplessly swept away by the forces of love.
In a hospital room in the city, Hikaru’s young wife Aoi lies stricken with an illness of unknown origin. Hikaru rushes back from a business trip to be by her side. According to the nurse, this hospital treats all forms of mental illness through sleep therapy, eliminating patients’ sexual drives. Though puzzled by this unusual treatment, Hikaru remains beside his wife. Then, his former lover, the older ROKUJŌ Yasuko appears silently before him. Her unfulfilled longing for Hikaru has brought her here as an ikiryō spirit.
Written by MISHIMA Yukio
Directed by NAKASHIMA Makoto
Performed by SAITO Yoriaki, TAKAHASHI Hitoshi, YASUDA Maya, TANAKA Chihiro, ABE Kazunori
Scenographer: NAKASHIMA Makoto
Sound Manager: HARA Nobuhiro
Light Manager: INAKA Masahiro
We have been performing this production for nearly 20 years, and it has remained almost unchanged since its premiere. In The Tale of Genji, the ikiryō spirit is ultimately appeased, but that was never an option for MISHIMA Yukio. One might ask where the two characters end up, but such a question misses the whole point. MISHIMA consistently maintained that, under certain circumstances, the human psyche can reach extraordinary extremes. Whatever we may call it—even if we consider it immoral—that is where the possibilities of the human psyche lie. In this production, Yasuko, the ikiryō spirit, will once again be played by ABE Kazunori. We have always had a male actor play the role because we see something masculine in Yasuko’s overwhelming desire to possess Hikaru completely.
— NAKASHIMA Makoto
【Host】BIRD Theatre Company TOTTORI
【Grant】Agency for Cultural Affairs Grant for the Promotion of Culture and the Arts (Project for Promoting the Functional Enhancement of Theatres, Music Halls, Etc.) / Japan Arts Council / FY2026 Tottori Prefecture Subsidy for Art Promotion and Regional Revitalisation Projects through the Creation and Dissemination of Excellent Theatre