Flora Basthier is an artist with a love and respect for Japanese culture. She will create interdisciplinary works, such as calligraphy using asemic writing—a method of drawing meaningless letters—inspired by her time in Tottori, Japan.
Flora Basthier
She is a multidisciplinary artist from Limoges, France.
Her work focuses on the concept of movement, aiming to capture the essence of matter in motion, creating a fleeting aesthetic. Initially, she explored the idea of traces through drawing, but her work has expanded to include various mediums such as audio-visual art, performance, ceramics, installation, urban intervention, and land art, often combining these elements.
Her work is grounded in experience, frequently exploring social and interactive dimensions. She is interested in how human marks on the environment become a form of language. The connection between the body and its passage through different territories, as well as the interactions between different cultures, provide her with inspiration for her art. Her passion for travel and experiencing new places greatly influences her practice, which she views as a form of artistic nomadism. She has a strong interest in Asian philosophy and is particularly drawn to Japanese culture, especially Shodo (Japanese calligraphy), which fuels her imagination.
I am very happy to participate in the programme of the festivities of Shikano with an atypical artistic proposal.
The residency will take place at the same time as the festival and I wish to propose an evolving and perhaps participative exhibition. The workshop and the gallery will merge where creation will take place in situ.
During my first visit to Japan, I came to Tottori where I obviously discovered the dune and its curves sculpted by the wind and the waves. Multiple natural and rhythmic graphics appear every day in the sand where signs prohibit drawing on the dune. But are our footprints not the writing of our bodies? This residency will be an opportunity to question our trajectories and the impermanence of things.
I would like to work on calligraphy through asemic writing. First, I wish to create a series of "rollerskate Shodo" inspired by Japanese drawing techniques.
Then a video of my performative practice in public space will be proposed to bring a reflection about the impact of humans on their environment.
In a quest/loss of meaning, there will be shells collected and scattered, like the one dug up by the walking man in Jiro Taniguchi's manga.
Upon my arrival, the visit to the local traditional washi paper factory may give me material to work with. With black sumi ink, an evolving work will be created.
Finally, an installation made with sand may also be put in place to evoke the passage of time.
This residence-exhibition might be full of surprises.
Let's see what happens!
【Host】Toga Cultural Foundation /Japan Arts Council/ Agency for Cultural Affairs, Government of Japan
【Co-Host】BIRD Theatre Company TOTTORI