© Kim Ayres
© Kim Ayres
The 17th BIRD Theatre Festival invited The Village and the Road, a production from Scotland by the poet Tom Pow and the musical ensemble The Galloway Agreement, which explored the theme of rural depopulation occurring across the globe. Accompanied by beautiful music, the piece poignantly conveyed the irreplaceable nature of human life that is being lost as small communities disappear, and was very well received. This led to discussions between BIRD Theatre Company and the Scottish artists about creating a new work together. Preparations began in 2025, and following three weeks of rehearsals and preview performances in Scotland this June, the world premiere is finally here.
Towa Mura is a village nestled deep in a mountain valley and surrounded by forest.
One autumn day, as the approach of winter looms, the villagers gather to make a certain ‘decision’—
Set in the fictional village of Towa Mura, this story weaves together memories, folk tales and music to explore the difficult choices local communities face, the impact of population decline on people’s lives, and the human implications of a community’s decline.
Dumfries and Galloway, where most of the Scottish members are from, is, like Tottori, experiencing progressive depopulation and shares many similarities with the region.
Faced with similar challenges, people stay, leave, return or arrive for similar reasons.
Created from these shared experiences, this work poses fundamental questions about what it means to live as human beings, through the realistic struggles of an ageing rural community as it attempts to choose its own future.
※Project report by the process observer Takako Takeya (on 2025 development)
https://www.jpf.go.jp/e/project/culture/perform/creation/2025/pdf/p06_1e.pdf
Written by Tom Pow
Directed by Makoto Nakashima (BIRD Theatre TOTTORI)
Performed by Matthew Zajac (Dogstar), NAKAGAWA Rena (BIRD Theatre Company TOTTORI), YASUDA Maya (BIRD Theatre Company TOTTORI), KOSUGE Hiroshi and
The Galloway Agreement – Ruth Morris, Gavin Marwick, Wendy Stewart, Stuart Macpherson, Beth Porter
Original Score: The Galloway Agreement
Dramaturg: Matthew Zajac (Dogstar)
Producers: Ruth Morris, Peter Renwick (CatStrand) & Sachiko Nishio (arts knot)
Producer/translator: Nao Miyauchi (arts knot)
Lighting: Aya Nishimoto
Sound: Nobuhiro Hara (Ohara Kikaku)
Stage Manager: Alberto Santos Bellido
Kakashi Puppets made by Alex Rigg (Oceanallover)
Photography: Kim Ayres
Video: Emma Dove
TOM POW (Playwright)
Tora Mura is certainly not alone in facing the challenges of an ageing population. In 2025, the United Kingdom joined a growing list of countries, that includes Japan, in which deaths outnumber births. But each village, like each whisky or sake, has its own distinctive character. The roots of Towa Mura lie in my experiences of villages in Europe and in Japan, nourished by the generosity of what I like to call my ‘Bird Theatre Research Group’. Many of the poems in Ghosts at Play – Poems from Rural Japan – are given a fresh context in Towa Mura, but the world of the village of Towa Mura itself, its unmistakable flavour – its life beyond statistics – is given breath by what the director, the actors and the musicians bring to it.
Makoto Nakashima (Director)
It feels like a dream that our invitation to the BIRD Theatre Festival led to a collaborative project with Scottish artists. When you hear of a play that addresses the social issue of population decline, you might imagine something akin to a consultancy firm’s presentation or a simulation-style drama. But it’s nothing of the sort. It’s a work that gently yet profoundly explores the meaning of human existence, and the preview performance in Scotland was a huge success.
The Galloway Agreement (Music)
The Galloway Agreement are delighted to be presenting Towa Mura at Bird Theatre Festival. It has been wonderfully inspiring working with the team from Bird Theatre over the last two years, and audiences in Scotland found the show profoundly moving. It's a great privilege to be bringing it to Japan, we hope you enjoy it and find it thought provoking. We look forward to hearing your responses.
Tom Pow (Playwright)
Tom Pow was born in Edinburgh in 1950. He has published many poetry collections. He has also written plays, travel books and books for children and young adults. One of his main interests, since 2007, has been the effects of depopulation in rural areas. Travels through Europe – from Spain to Russia – resulted in the book, In Another World: Among Europe's Dying Villages (2012). The Village and The Road and Towa Mura have allowed him to continue that exploration in dramatic form. Ghosts at Play – Poems from Rural Japan (with translations by Nao Miyauchi) was published in Japan in 2024.
The Galloway Agreement (Music)
The Galloway Agreement is an alternative strings quintet featuring Wendy Stewart (clarsach, vocals), Ruth Morris (nyckelharpa), Gavin Marwick (fiddle), Beth Porter (cello, vocals) and Stuart Macpherson (double bass).
The band is based in Dumfries and Galloway. Their repertoire is a mixture of original compositions and favourite tunes and songs from Scotland and other European traditions. They all come from very different musical backgrounds, including Scottish traditional music, classical and jazz, and so their music is wonderfully eclectic. They all enjoy composing music for this lovely combination of instruments.
They are vastly experienced musicians that have been involved in many collaborations all over the world, most notably the Made In Scotland award winning ‘The Village and The Road’ with poet Tom Pow. This was developed into a touring theatre show, which had a two week Edinburgh Fringe run and subsequently visited Japan twice, leading to a further cross cultural collaboration, 'Towa Mura' by Tom Pow, with Matthew Zajac and the wonderful Bird Theatre from Tottori, Japan.
Matthew Zajac (Actor/Dramaturg)
Matthew Zajac grew up in Inverness and studied drama at Bristol University. He has worked as an actor in theatre, film, TV & radio for 44 years. Theatre includes: Citizens Theatre Glasgow, Manchester Royal Exchange, Liverpool Everyman & Playhouse, Bristol Old Vic, Edinburgh Lyceum, and London theatres the Bush, Young Vic, Half Moon YPT & Lyric Hammersmith. He has also worked with Swedish companies Riksteatern, Profilteatern and Västerbottensteatern. In 2009, he was named Best Actor in the Critics’ Awards for Theatre in Scotland for his performance in his play The Tailor of Inverness. The play has won several other awards and has played around the world. His best-selling memoir of the same name will be re-published this year. A documentary film, Circling A Fox – the Story of The Tailor of Inverness, was broadcast by the BBC. Other plays include The Sky Is Safe (2017) and his adaptation of James Robertson’s novel The Testament of Gideon Mack (2025). He has been Artistic Director of Dogstar Theatre Company since 2004.
Ruth Morris (Producer)
RUTH MORRIS is a versatile multi-instrumentalist, specialising in nyckelharpa, fiddle, whistle and piano. Based in Scotland, she currently plays with Firelight Trio, Gavin Marwick's Journeyman Project, The Galloway Agreement, The Village and The Road, Towa Mura, Bellevue Rendezvous, and her ceilidh band Whirligig.
She is also experienced in production, fundraising and project/ tour management, and is lead producer on Towa Mura. Previous productions she led include The Village and The Road, various Gavin Marwick's Journeyman productions and Horizons tunebook project, and three years as producer of Eden Festival Great Mountain Stage.
Her past work includes being an on-set musician on HBO series ‘Outlander’, and playing nyckelharpa on the soundtrack of the Netflix film ‘Outlaw King’. Freelance work also includes performances with Wendy Stewart, Mr McFall’s Chamber, Scottish Ensemble, Moishe's Bagel, Rory McLeod, Kate Young, Red Dog Green Dog and Cantrip. Composing/ arranging for film and theatre includes Sky TV's 'Nation's Best Am Dram'.
Her music has taken her all over Europe, and even as far afield as Japan (with The Village and The Road), and in her travels she has added to her Scottish/ Irish repertoire a great collection of tunes and dances, particularly from Central France, Brittany, Scandinavia and Eastern Europe. She works hard in her local community, organising and promoting events, leading workshops, and running music groups, independently and also through organisations such as Feis Rois and the YMI. She is an enthusiastic inspiration to a new generation of musicians.
Pete Renwick (Producer)
Creative Director- CatStrand Arts
Pete Renwick has been involved in the arts since running club nights in the early 2000s. Early highlights include producing Edinburgh's notorious Beltane Fire Festival, alongside freelance work on projects including Big Man Walking, the Edinburgh Mela, and the city's Hogmanay celebrations.
Since relocating to Dumfries & Galloway in 2009, Pete has produced in the region of 2,000 live events. He spent nine years with Dumfries & Galloway Arts Festival, progressing from Development Officer to Programme Director, during which time he helped transform it from a volunteer-led organisation into a professionally-run regional arts body.
A period working with SURF — Scotland's Regeneration Forum — saw Pete support the Tarras Valley community buy-out in Langholm before returning to the arts. Since 2021 he has run the arts programme at CatStrand Arts, one of Scotland's most celebrated small venues.
Catstrand (Partner)
CatStrand Arts & Visitor Centre is a premier performing arts venue in Dumfries & Galloway and the cultural hub of the Glenkens. Situated in the Royal Burgh of New Galloway at the gateway to the Galloway Forest Park, it is an important stop on the Scottish theatre and music touring circuit and a mainstay of the region's cultural offering.
Owned and operated by the Glenkens Community and Arts Trust, CatStrand is a creative hub for public engagement, artist development, and professional performance; celebrating the nature, heritage and community of rural South West Scotland alongside work from artists across Scotland and beyond.
Renowned for its warm welcome, appreciative audiences and high-quality, diverse programme, CatStrand delivers around 130 events a year to over 4,000 people. It is a place for creative exploration, social connection and wellbeing — and, as one audience member put it, part of the fabric of who we are.
Organisers:BIRD Theatre Company TOTTORI, Ruth Morris, Peter Renwick – CatStrand
Co-Organiser: The Japan Foundation
Co-Production: BIRD Theatre Company TOTTORI, Ruth Morris, Peter Renwick – CatStrand, The Japan Foundation
Supported by Creative Scotland, British Council, and the Great Britain Sasakawa Foundation, Daiwa Anglo-Japanese Foundation





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