A cleaning lady embarks on a journey through time and space. After a joyful experience, she finds herself in Gwangju in 1980, where the people are rising up to demand democracy.

Artist/Company
Theatre Company Haddangse [From South Korea]
Date
Saturday, 20 September, 19:00-
Sunday, 21 September, 19:00-
*There will be a talkback after the performance on Sunday, 21 September.
Running Time
60 minutes
Venue
BIRD Theatre [Theatre]
Price
Adults: 3,000 yen*
Student discount: 1,000 yen
under 18: 500 yen
Preschool-aged children: Free
*Including one drink voucher for use at the Café
Language
Performed in Korean
Surtitles
Japanese and Korean
Mobile subtitles
English subtitles available on tablet.
Synopsis開く

At the theatre, the performance team is in the midst of preliminary research.

While the members check the stage space and the acoustics, there is one person who seems to exist in a different time: the cleaner, Ms Moon.

After everyone has left the theatre, only Ms Moon remains.

An apple rolls across the floor and stops at her feet. A piece of white paper – a prop from the performance – flutters in the breeze.

In that moment, Ms Moon is drawn into a distant memory as if by magic. People, memories, and events begin to emerge from the paper. She is momentarily pulled back to reality, but the memories keep flooding in.

And so, after drifting through time and memory –

she finds herself in 1980, where she is confronted with Gwangju.

Cast/Staff開く

Written by Kim Minjeong

Directed by Yoon Sijoong

Performed by Mun Sukkyung, Go Eunbyul, Kim Chaeyeon, Choi Sura, Lee Jonghun, Kim Seungtae, Kim Yejin, Go Chae Han

Producer: Park Seohyun, Jeong Ilhyeong

Assistant Director: Kim Chaeyeon

Dramaturgy: Kim Ockran

Music Director: Park Soyeun

Lighting Director: Park Kwangseon

Sound Operator: Go Chaehan

Stage Director: Lee Jonghun

Subtitle: Kang Kyeong Cheon

Message from the director開く

A Play in Which Space Becomes the Protagonist

The Time Painter began at the Asia Culture Center in Gwangju, home to the largest black box theater in Asia. Since then, it has met audiences in diverse spaces across the country—outdoor stages, a small persimmon tree house in Seoul, and traditional proscenium theaters.

In this play, the true protagonists are not people, but buildings.

In Gwangju, it is the former Jeonnam Provincial Office;

in Seoul, a woman’s house;

in the theater, the stage quietly inhabited by a janitor.

Each of these spaces becomes the heart of the narrative.

The former Jeonnam Provincial Office is a place that preserves the past.

It stands as a silent witness to the May 18 Democratic Uprising and offers quiet consolation to citizens through the memories it holds.

The Time Painter tells the stories of people through the spaces they inhabit.

In Edinburgh in 2025, yet another building will become the stage, offering its own perspective on the lives it has observed.

And at BESETO, a new space—the “BIRD Theatre”—will emerge, evoking memories of another government office and its silent echoes.

These spaces may be silent, but they remember more deeply than any voice.

This play follows the gaze of those spaces, gently painting the passage of time in our lives.

Yoon Sijoong

Company's Profile開く

Theatre Company Haddangse

Looking up at the sky, down at the earth, and out at the world –this is the gaze with which Theatre Company Haddangse creates its performances.

The company values creating works that everyone – from children to adults – can enjoy, turning even everyday changes and the passage of time into material for the stage.

Since its founding in 2008, Theatre Company Haddangse has brought new theatrical experiences to life through its distinctive expression and experimental direction, all while embracing its motto: 'From the sky to the ends of the earth, with all our might!'

Guided by this spirit, the company has performed in over 17 countries – from Iran to Argentina.

Director's Profile開く

Yoon Sijoong

‘Through theatre, I want to give people memories they will never forget.’

Director Yoon Sijoong offers audiences a new kind of experience by removing the boundaries between direction and stage design. His theatre is composed not of narratives but of diverse ‘languages’.

For him, the process of creating theatre is one of inventing a new language, and also a form of play. He sees ‘language’ as something that cannot be written or spoken by a single person alone. That’s why he values a collective creative process, where everyone involved contributes to shaping the work, rather than completing it alone as the director.

With the actor’s body standing at the centre of the stage, layered with set pieces, costumes, and props, his works are intense and full of energy, leaving a deep emotional impact on the audience.

Production/Distribution開く
Production:
National Asian Culture Center, Theatre Company Haddangse
Distribution:
National Asian Culture Center Foundation